Тhe literary tale’s genre as the dialectal unity of literary and folk traditions

Abstract

The article is devoted to the analysis of scientific views on the theoretical concept of genre paradigm of the literary tales as a phenomenon of the national literary process, in particular to the problem of synthesis of major functional structural elements: individual author principles and poetics of folk tales, which makes genealogic potential of this genre. Literary fairy tale as a genre, whose occurrence basis - national epic fairy - is an original, distinctive and unique phenomenon in the world of literary tradition in general. Writer and storyteller managed to do the impossible - remaining artists of his time, faithful to the requirements of his era, they create images of living for centuries, stories that never ceases to reread by the millionth audience. Little readers are attracted by the unusual situations and characters, fantastic adventures, rapid and dynamic storyline and for adult recipient it is interesting of primarily mythological overtones, archetypal meaning, philosophy, symbolism. Based on specific researches of the literary tales, combining theoretical, historical and literary aspects of research, the article reveals the prerequisites, the specificity and uniqueness of diffusion synthesis dominant structural elements of the genre. We note that their dialectical unity promotes effective process of formation and functioning of all kinds of literary fairy tales genre in the world and the domestic literary space. The basis of this artistic phenomenon - the presence of the subjectivity in the literary fairy tales and treatment in the process of its creating to the systems of the poetic folk tales and their synthesis in the matrix of the genre of literary fairy tale.