Verbalization of the Concept Nature in Oleksii Dovhiy's Poetry
DOI:
https://doi.org/10.31548/philolog2020.01.030Abstract
The study analyzes the features of the lingual explication of the concept of NATURE in Oleksii Dovhiy's language of poetry. The author of the article covers the views of linguists on the use of images of nature in their texts by artists. The researcher emphasized the important role for the lyrical hero of such images and stated that the phenomena of nature, landscapes become for him a certain impetus to rethinking and reflecting on the different plan of phenomena of reality. With their help the author builds a sophisticated lyrical story.
In the process of linguistic analysis, it was found that for Oleksii Dovhiy's poetry, the image of nature is one of the most pronounced; it is proved that most of the author's plots, reflections, and meditative mood unfold precisely against the background of nature. The author of the article noted that color markers and their shades help the author to create numerous landscape sketches, the presence of which in the text contributes to the effect of maximum presence of the reader. Studying the features of linguistic description of natural objects made it possible to speak of a high concentration in the poetry of the unit artist on the designation of their characteristics of the shape. Such nominations allow the poet to visualize certain phenomena and processes of nature and to cause in the reader a number of associations associated with them. During the research it was found that the author prefers images of wildlife when visualizing objects and phenomena of the world. One of the most striking in the linguistic picture of the world of the artist are the units to indicate the various poetic variants of the image of the World Tree. Researchers have shown that units to indicate the visual characteristics of natural phenomena are involved in the creation of panoramic perspectives, a heroic past, a tragic memory. The special role of combining within the same context of tokens was noted for the designation of diverse characteristics (visual, locative, attributive) for displaying the sacral locus as a horizontal-vertical artistic space.
The article states that nominations of sonic features of the state of nature display cover the realities associated with the musical sphere, the processes carried out by living beings with the sonic image, objects of nature and metaphors that call certain acoustic realities similar in nature to the image to the corresponding creatures attributes.
The analysis made it possible to state that most tokens for the designation of certain phenomena of nature are used by the artist to metaphorically convey the inner state of his lyrical hero.References
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